Friends, I’m hitting the road in March for three more weeks of solo acoustic shows. Check out the dates and cities below – and visit the Tour Page for the latest tour and ticketing info in your area.
I’ll also be extending my stay at the pie diner for two weeks to share the stage with my favorite duet writer Sara Bareilles as she returns to Waitress the Musical on Broadway. Catch us together January 16th through January 28th at the Brooks Atkinson Theatre! Tickets are on sale tomorrow, December 7 at 10am ET. Stop by WaitressTheMusical.com for more info.
And be sure to check out the holiday sale this week at the Jason Mraz Online Store. Receive 20% off of merchandise using the code LASTCHANCE18 now through Friday, December 8 at 11:59pm PT.
Keep it simple. Be kind to others this holiday season.
Please and thank you,
Fan pre-sale code: mraztour18
March 8 – Raleigh, NC at Raleigh Memorial Auditorium
March 9 – Knoxville, TN at Tennessee Theatre
March 10 – Greenville, SC at Peace Center for the Performing Arts
March 11 – Huntsville, AL at Von Braun Center
March 13 – Orlando, FL at Walt Disney Theater at Dr. Phillips Center for the Performing Arts
March 14 – Miami, FL at Adrienne Arsht Center for the Performing Arts (Knight Concert Hall)
March 16 – West Palm Beach, FL at Raymond F. Kravis Center for the Performing Arts
March 17 – St. Petersburg, FL at Mahaffey Theater
March 19 – Fort Myers, FL at Barbara B. Mann Performing Arts Hall
March 22 – Mobile, AL at Saenger Theatre
March 23 – Baton Rouge, LA at River Center
March 24 – Shreveport, LA at Shreveport Municipal Auditorium
March 26 – Corpus Christi, TX at American Bank Center Selena Auditorium
March 27 – San Antonio, TX at Tobin Center for the Performing Arts
March 29 – Tulsa, OK at Chapman Music Hall
March 30 – Fayetteville, AR at Walton Arts Center
March 31 – Little Rock, AR at Robinson Center Auditorium
2001 feels like forever ago. It still sounds futuristic. But for some 16 year olds, it never happened. In 2001 I think I played Java Joe’s every Thursday night. Java Joe’s was an acoustic clubhouse one block from the beach. The scene was something out of a movie. I would sleep there after shows in a crescent-shaped booth to occasionally pick up a Friday or Saturday night slot. Or I’d stay to soak up the atmosphere of Jameson and lasagna, or the chords of other songwriters. At the time that experience was the only career I had, so there was nothing to lose – nor nothing to be lost. Every day was a day thriving in the unknown. Creating my life story as I went. It was heaven.
That same year, my childhood friend, Charlie Mingroni, affirmed he would not worry his life away in the midst of chemotherapy treatment to combat Ewing Sarcoma, a rare cancer. Charlie pulled off a miracle before everyone’s eyes. It was as if he had stopped a bullet; like he had superpowers and no fear against an evil villain in the room. He dissed disease with ease. I found myself writing about Charlie and his gift while questioning the circumstances in our lives. How did I get my life and why did he get his? Perhaps because I might not have survived and nor would Charlie have written the song. Maybe. I’ve pondered this for more than a decade now. The Universe is a creator. Does It care about the details? Or – in order to live forever – does It just want us to make waves?
Charlie was born on July 4th, a perfect day to remember to celebrate life, liberty, and the pursuit of happiness. I was driving through Anaheim one night when Disneyland set off their sky rockets and I instantly thought of my friend. I improvised the opening verses to “The Remedy” right there on the spot. I called my voicemail and sang it again while driving and scribbled down everything I could when I got home. The next couple weeks at Java’s I would add in Charlie’s verse somewhere in the show.
Around that time I was compiling ideas and collaborating with other songwriters to strengthen my writing and my catalog for my first album. One of my first sessions was with a trio dubbed The Matrix, aka Lauren Christie, Scott Spock, and Graham Edwards. They, too, had superpowers. I shared my verse and told them about Charlie. They were moved. I shared his mantra and within minutes they had put it to melody. iiiiiiiii… won’t worry my life awaaaay was born. With a sonic boom, Charlie’s wave had now reached them too.
When we finished it – and probably because I was young, inexperienced, and thought I was in control of my destiny – I refused to like the song. Or maybe I disliked it because it sounded like it was formulated to be a hit, and I was nervous that it just might become one. I didn’t want my life to change. Java Joe’s was just fine. It was all I knew and it was going great. I thought the new song sounded like nothing I would listen to, never mind attempt to play. And on top of it all I feared I was exploiting my friend.
Up until the making of ‘Waiting For My Rocket To Come’ I fought against recording the song, fearing all of the above and that it would force an evolution on my style. I literally cried in the vocal booth while tracking the song as none of my resistance could hold back the inevitable. The song needed to be sung. That was that. A few minutes later I sat under the studio deck in the pouring rain and surrendered. The song became a potent medicine I had to drink when it felt like all my dreams were coming true but looked different than I imagined. The fruition of dreams can be frightening, and even feel like death of an old self. But it’s nothing compared to what Charlie must’ve faced. He gave me permission to proceed with the song and “I won’t worry my life away” became the first of many mantras and affirmations in my catalog, eventually inspiring other affirmative lyrics like I’m Yours, and I Won’t Give Up, and a lifetime of service through music.
Charlie caused a ripple throughout our community that turned into waves that still expand out in every direction this far into the future. Thanks to the power of music, his waves will carry on and outlive us all. I am grateful to know his strength, his patience, his humor, his grace. I am thankful he is still with us to make more.
Shine the light on all of your friends because it all amounts to nothing in the end.
A few months ago I tweeted that I needed a VCR ASAP – and fans delivered. (Thank you, Marissa!) The result was an archeological dig through past performances and personal VHS tapes from a pre-digital era to revisit the good old daze of recording my first album, Waiting For My Rocket To Come, 15 years ago, touring in a van, meeting lifelong fans, and becoming who I am.
In 2002 I gave studio engineer Peter Harding a video camera to capture some footage for my dad and my grandma. That recording session ended up changing both of our lives, as WFMRTC became an international hit and Peter went on to become a badass filmmaker. Peter and I revisit that era and discuss the album genesis with some never-before-seen footage in a short new series we call Rocket Revisited. Watch Part 1 here:
October marks the 15th anniversary of my first studio album Waiting For My Rocket To Come. Last month I mentioned that we’ll soon be releasing the album for the first time ever on vinyl… and today I’m happy to announce that WFMRTC will be out on vinyl this November 17 – and you can pre-order it now!
The album will be released as a double LP featuring three sides of music and an exclusive fourth-side etching. I teamed up with Robert Fisher, who designed the original artwork, to create a new album layout that includes never before seen photos by Alison Dyer, official lyrics, and 15th anniversary-edition liner notes.
Head over to the Jason Mraz Online Store to pre-order the vinyl today (plus a brand new tee designed by Robert Fisher). Or check out our exclusive orange vinyl edition of the album at Barnes & Noble!
More Rocket revisiting to come over the next few weeks. Be sure to check back for the latest updates (including International vinyl release dates).